The latter act has been drawing special attention for its nods to ELO, Big Star, Todd Rundgren and Harry Nilsson. Father John Misty's lyric-focused album "Pure Comedy" has the sparse, piano-heavy tilt of Elton John records such as 1975's "Captain Fantastic and the Brown Dirt Cowboy." Indie rockers such as Foxygen, Mac DeMarco and the Lemon Twigs also are heavily indebted to the more kaleidoscopic end of '70s rock. Styles' retro-rock looting isn't an isolated incident, however. "Sign of the Times"- the majestic first single from his self-titled debut solo album, due out May 12 - has been favorably compared to both Mott the Hoople and David Bowie, while "Sweet Creature" has been accused of resembling the Beatles' 1968 song "Blackbird." However, Badfinger wasn't the only classic group Styles has been linked to in recent weeks. It remains to be seen whether the kerfuffle will linger after all, "Ever Since New York" also echoes the acoustic-driven epics favored by U.K. The outcry was so great that the son of late Badfinger drummer Mike Gibbins posted a video to YouTube comparing the two. After "Ever Since New York" aired, however, the song attracted a storm of attention for a different reason: People accused Styles' tune of ripping off "Baby Blue" by power-pop legends Badfinger. When One Direction's Harry Styles performed on "Saturday Night Live" in mid-April, he premiered a brand-new song, "Ever Since New York." Days prior to the performance, some facets of the 1D fan base suspected the tune might be a reference to his ill-fated romance with Taylor Swift.
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